PRODUCTION-processes

_ TESTING THE TEST PIECE FLAG

-Dyed and printed using natural dyes and found objects (a little triangular piece of wood used as a block to print with).

- The testpiece flag was subjected to one week of exterior weather, between the 18.09 until and including the 29.11.
- Observations:  
   - slight discoloration on the ones where the print paste was with iron sulphate (tannin pre-mordanted or not), the ones with only alum print paste faired more poorly (onw of them, not pre-mordanted with tannin was almost invisible by the end of the 2,5 months trial period.
    - climate on Nesodden has varied between rain, lots of wind, lots of rain, slow, frost, full sunlight (albeit autumn/almost winter sunlight)

USE REINFANN-ALUM DYE PRINT PASTE? OR JUST USE IT AS INK/PAINT_ 03.10.23


BEFORE- 18.09

AFTER- 29.11





STREAM OF CONSCIOUSNESS , stemming from Per Gunnar’s presentation :

 who identify a group of people as a community and decide to include them in collaborative art project?

- I decided to include them in the art project. Them is the people of Økern, which I identified as the organised communities that currently exist in Økern: in the form of institutions (schools/senior home, etc..), grassroot structures (Selvbyggeren, Kloden, etc...), sports clubs (Hasle-Løren IL), other clubs (ØkernogLøren fb group),etc...

- I want to create this art project together with them, as a way to reclaim ownership, based on the frustrations I have heard through the presentations but also newspaper articles I have read, and few talks with people who live there.  

- Organised group because it is easier to create something together when there’s already a structure set by the community. I would love to stand on the side of the road and ask people to make a flag but I find it hard to believe it will happen as it takes time. Maybe if I have a stand at an organised community event (like the folkefest on the 2nd sept 23). but that’s still organised innit...  
who decides what social issue(s) will be adressed or represented by/through them?

I suppose a bit of both me and them? I heard the frustrations through the presentations/newspaper articles/contacts and wanted to focus on that. In turn, they could decide what social issue they want to address in the individual flag they will be making ?

Does the community pre-exist the art project, or is it produced by it?  
Again, maybe both? There’s definitely  been a community before the art project but maybe a new community of Økern flag-owners will appear? owner in the sense that they will keep the flag that they make once it has been ‘exhibited’, but also owners in the sense of the space on which their flag was a part of. 

Who speaks for the community ?
The people speak for the community.


What is the nature of the collaborative relationship?

-Based on mutual ønsker?  I think. If I, as the artist, have got the permissions and the technical knowledge for printing on the flag/drawing on the flag then surely they need me as much as I need them? but it was my idea originally kind of, I’m just proposing the idea and want us to do it together, with their thoughts and experiences. What is the nature of that collaboration?
What kind of dialogues are established?Who speaks for the community?

What are the criteria for artistic success and failure?How do you judge human relations?Why do I want to be at that chosen site?
How is the community manifesting itself in the work?


MAKING A PREP WORKSHOP WITH THE SURFACE DYEING
- to practice workshopping
- to get an idea of time and how the workshop would actually proceed
 

PRODUCTION-process - workshop test


MAKING A PREP WORKSHOP WITH THE SURFACE DYEING

- to practice workshopping

- to get an idea of time and how the workshop would actually proceed

- to feel more confident with analog surface printing

- to work out the health and safety surrounding a potential workshop with this




PROCESS
- cut pieces 20x15cm (4x5 pieces=20 pieces and a 80x25cm triangle. banner is 00cm wide total and 80cm high). 

Dye plan
- tanin pre-mordant at home - monday night
- alum mordant & make printing paste at home - tuesday night
- start applying KHIO - wednesday afternoon 
- finish applying + airdry overnight - thursday afternoon
- overdye and dry - friday 
- sew together - saturday evening 

Recipe used
- 300g vinegar
- 25g ferrous sulphate
- 14g guar gum
- 600ml reinfann dye concentrate



Pilot workshop video - password: okern

 
PUTTING IT TOGETHER & INSIGHTS
INSIGHTS
- 1,5hrs to make 8 flags (20x15cm)

- had to stop after 1,5hrs to take a break from the vinegar smell, and I was hungry. 

- vinegar thing? the workshop is very well ventilated what if the spaces I hold the workshop in aren’t well ventilated? how long will people be exposed to vinegar actually? if theyre just doing one flag maybe there isn1t that much exposure. 

- OR should this just a summer thing and only take place where the banner will be raised?

- fun with found objects!!!

- probably need less time printing ? more time drawing and planning/figuring out what one will put on their own flag first? which avoids having too mch exposure to the vinegar smell too. 

- putting the mini-flags in an order to be sewn also took a while, I was just putting them in an order that I thought looked pretty. but maybe that could be part of the workshop is deciding whether there is an order to the mini-flags, whether they tell a bigger story when they are sewn together.



FINAL RESULT -
password video: okern.